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Oil Paintings Come From United Kingdom
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Max Buri
1868-1915,Swiss painter. While still at school he was given drawing lessons by Paul Volmar (1832-1906) in Berne. From 1883 he was a pupil of Fritz Schider (1846-1907) in Basle, where he became acquainted with the works of Hans Holbein the younger and Arnold B?cklin. In 1886 he went to the Akademie der Bildenden K?nste in Munich, transferring in 1887 to Simon Holl?sy painting school. After seeing the works of the French Impressionists exhibited in Munich, he moved to the Acad?mie Julian in Paris in 1889. He made several journeys to Algeria, Holland, Belgium and England, and in 1893 he returned to Munich to study under Albert von Keller. In 1898 he settled in Switzerland, living first at Lucerne, then from 1903 in Brienz, near Interlaken. About 1900, influenced by the paintings of Ferdinand Hodler, Buri moved on from his early genre pictures, which were in mawkish shades of pink in the style of Keller and H?llosy, to achieve an individual style that brought him great popularity. He established his reputation with Village Politicians (1904; Basle, Kstmus.). He painted mainly the landscape and people of the Bernese Oberland, often depicting single figures and groups in front of bare indoor walls in realistic everyday scenes. The expressiveness of the compositions is achieved by clear contours and powerful clearly differentiated surfaces in local colours. Buri works are essentially populist rather than intellectual and avoid Hodler strict parallelism and Symbolist content.

 

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Max Buri Brienzer Bauerin oil painting

Painting ID::  50171

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Max Buri
Brienzer Bauerin
mk208 1914
   
   
     

 

 

Max Buri Brienzer Bauer oil painting

Painting ID::  50172

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Max Buri
Brienzer Bauer
mk208 1914
   
   
     

 

 

Max Buri Gesprach oil painting

Painting ID::  50173

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Max Buri
Gesprach
mk208 1915
   
   
     

 

 

Max Buri Bildnis Einer Brienzer Brienzer Bauerin oil painting

Painting ID::  50174

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Max Buri
Bildnis Einer Brienzer Brienzer Bauerin
mk208 1915
   
   
     

 

 

Max Buri Edouard Vallet oil painting

Painting ID::  50177

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Max Buri
Edouard Vallet
mk208 Even likeness 1916
   
   
     

 

 

Max Buri Ferdinand lovelier oil painting

Painting ID::  50176

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Max Buri
Ferdinand lovelier
mk208 Even likeness 1915
   
   
     

 

 

Max Buri Giovanni Giacometti oil painting

Painting ID::  50178

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Max Buri
Giovanni Giacometti
mk208 Even likeness
   
   
     

 

 

Max Buri Edouard Vallet oil painting

Painting ID::  50181

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Max Buri
Edouard Vallet
mk208 Walliserin in jerk view
   
   
     

 

 

Max Buri Ferdinand Hodler oil painting

Painting ID::  50182

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Max Buri
Ferdinand Hodler
mk208 Schynige disk
   
   
     

 

 

Max Buri Ferdinand Hodler oil painting

Painting ID::  50183

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Max Buri
Ferdinand Hodler
mk208 Thunersee with cane horn chain in the winter around 1911
   
   
     

 

       Prev    1  2  3

 

Max Buri
1868-1915,Swiss painter. While still at school he was given drawing lessons by Paul Volmar (1832-1906) in Berne. From 1883 he was a pupil of Fritz Schider (1846-1907) in Basle, where he became acquainted with the works of Hans Holbein the younger and Arnold B?cklin. In 1886 he went to the Akademie der Bildenden K?nste in Munich, transferring in 1887 to Simon Holl?sy painting school. After seeing the works of the French Impressionists exhibited in Munich, he moved to the Acad?mie Julian in Paris in 1889. He made several journeys to Algeria, Holland, Belgium and England, and in 1893 he returned to Munich to study under Albert von Keller. In 1898 he settled in Switzerland, living first at Lucerne, then from 1903 in Brienz, near Interlaken. About 1900, influenced by the paintings of Ferdinand Hodler, Buri moved on from his early genre pictures, which were in mawkish shades of pink in the style of Keller and H?llosy, to achieve an individual style that brought him great popularity. He established his reputation with Village Politicians (1904; Basle, Kstmus.). He painted mainly the landscape and people of the Bernese Oberland, often depicting single figures and groups in front of bare indoor walls in realistic everyday scenes. The expressiveness of the compositions is achieved by clear contours and powerful clearly differentiated surfaces in local colours. Buri works are essentially populist rather than intellectual and avoid Hodler strict parallelism and Symbolist content.